{"id":20634,"date":"2023-10-26T13:10:46","date_gmt":"2023-10-26T04:10:46","guid":{"rendered":"https:\/\/antonsan.net\/?p=20634"},"modified":"2023-10-26T13:10:46","modified_gmt":"2023-10-26T04:10:46","slug":"%e5%be%85%e3%81%a3%e3%81%a6%e3%81%be%e3%81%97%e3%81%9f%ef%bc%81%ef%bc%81%e3%80%80%e3%82%b8%e3%83%a7%e3%83%b3%e6%a7%98%e3%81%ae%e6%96%b0%e8%ad%9c","status":"publish","type":"post","link":"https:\/\/antonsan.net\/?p=20634","title":{"rendered":"\u5f85\u3063\u3066\u307e\u3057\u305f\uff01\uff01\u3000\u30b8\u30e7\u30f3\u69d8\u306e\u65b0\u8b5c"},"content":{"rendered":"

\"Paseo\"<\/a><\/p>\n

\u30b8\u30e7\u30f3\u69d8\u306e\u30b5\u30a4\u30c8<\/a>\u3092\u306a\u304c\u3081\u3066\u3044\u305f\u3089\u30019\u6708\u306e25\u65e5\u306b\u3053\u3093\u306a\u8a18\u8f09\u304c\u3042\u3063\u305f<\/p>\n

Update! CD Sales
\nThe new CD, Paseo, will be released on October 25th and be available exclusively from Prestomusic.com. The rest of the catalogue will also be available exclusively from Prestomusic.com. CD’s will no longer be sold from this web site.<\/p>\n

\u30a2\u30c3\u30d7\u30c7\u30fc\u30c8\uff01 CD\u8ca9\u58f2\u6570
\n\u65b0\u3057\u3044 CD\u300cPaseo\u300d\u306f 10 \u6708 25 \u65e5\u306b\u30ea\u30ea\u30fc\u30b9\u3055\u308c\u3001Prestomusic.com \u304b\u3089\u306e\u307f\u5165\u624b\u53ef\u80fd\u3067\u3059\u3002 \u30ab\u30bf\u30ed\u30b0\u306e\u6b8b\u308a\u306e\u90e8\u5206\u3082\u3001Prestomusic.com \u304b\u3089\u306e\u307f\u5165\u624b\u53ef\u80fd\u306b\u306a\u308a\u307e\u3059\u3002 \u3053\u306eWeb\u30b5\u30a4\u30c8\u3067\u306eCD\u306e\u8ca9\u58f2\u306f\u7d42\u4e86\u3044\u305f\u3057\u307e\u3059\u3002<\/p><\/blockquote>\n

\u3053\u306e\u65e5\u304b\u3089\u30ab\u30ec\u30f3\u30c0\u30fc\u306b\u8a18\u5165\u3057\u3066\u305a\u3063\u3068\u300c\u307e\u3060\u304b\u306a\u3041\uff5e\u300d\u3068\u5f85\u3063\u3066\u3044\u305f<\/p>\n

\u305d\u3057\u3066\u4eca\u65e5\u3001\u300cRecordings\u300d\u306e\u30da\u30fc\u30b8<\/a>\u306b\u4ee5\u4e0b\u306e\u304c\u3042\u3063\u305f<\/p>\n

\"Paseo<\/a><\/p>\n

Paseo – Release Date: October 25th 2023
\n\u201cPaseo\u201d (promenade) begins with the evocative La Ciudad de las Columnas by the Cuban master Leo Brouwer and includes my Homage to Barrios and other pieces by Carillo, Ponce, Sor and Turina.<\/p>\n

\u30d1\u30bb\u30aa – \u767a\u58f2\u65e5 2023\u5e7410\u670825\u65e5
\n“\u30d1\u30bb\u30aa”\uff08\u904a\u6b69\u9053\uff09\u306f\u3001\u30ad\u30e5\u30fc\u30d0\u306e\u5de8\u5320\u3001\u30ec\u30aa\u30fb\u30d6\u30ed\u30fc\u30a6\u30a7\u30eb\u306b\u3088\u308b\u559a\u8d77\u7684\u306a\u300cLa Ciudad de las Columnas\u300d\u3067\u59cb\u307e\u308a\u3001\u79c1\u306e\u300c\u30d0\u30ea\u30aa\u30b9\u3078\u306e\u30aa\u30de\u30fc\u30b8\u30e5\u300d\u3001\u305d\u306e\u4ed6\u30ab\u30ea\u30ea\u30e7\u3001\u30dd\u30f3\u30bb\u3001\u30bd\u30eb\u3001\u30c8\u30a5\u30ea\u30fc\u30ca\u306e\u4f5c\u54c1\u304c\u53ce\u9332\u3055\u308c\u3066\u3044\u308b\u3002<\/p><\/blockquote>\n

\u65e9\u901f\u3001\u8ca9\u58f2\u30b5\u30a4\u30c8\u3067\u3042\u308b Presto Music<\/a> \u3078\u30b8\u30e3\uff5e\u30f3\u30d7\uff01\uff01<\/p>\n

\"prestmusic\"<\/a><\/p>\n

\u53f3\u4e0a\u3092\u898b\u308b\u3068\u2026<\/p>\n

Due for release on 24th Nov 2023
\nOrder now and we will deliver it when available<\/p>\n

2023\u5e7411\u670824\u65e5\u767a\u58f2\u4e88\u5b9a
\n\u4eca\u3059\u3050\u3054\u6ce8\u6587\u304f\u3060\u3055\u3044\u3002<\/p><\/blockquote>\n

\u5f85\u3061\u9060\u3057\u3044\u306a\u3041\uff5e\uff5e\uff5e\uff5e\uff5e<\/p>\n

\u300cAbout\u300d\u3092\u898b\u308b\u3068<\/p>\n\n\n\n\n\n\n\n\n
La Ciudad de las Columnas (2004) by the Cuban composer, guitarist and conductor Leo Brouwer, is an evocation of various scenes of Havana, his home. It is subtitled Variations on Piece without title No. 1 which is called here \u201cAndar la Habana\u201d and is proceeded by the introduction.<\/td>\n\u30ad\u30e5\u30fc\u30d0\u306e\u4f5c\u66f2\u5bb6\u3001\u30ae\u30bf\u30ea\u30b9\u30c8\u3001\u6307\u63ee\u8005\u3067\u3042\u308b\u30ec\u30aa\u30fb\u30d6\u30ed\u30fc\u30a6\u30a7\u30eb\u306b\u3088\u308b\u300eLa Ciudad de las Columnas\u300f\uff082004\u5e74\uff09\u306f\u3001\u5f7c\u306e\u6545\u90f7\u3067\u3042\u308b\u30cf\u30d0\u30ca\u306e\u69d8\u3005\u306a\u60c5\u666f\u3092\u60f3\u8d77\u3055\u305b\u308b\u4f5c\u54c1\u3067\u3042\u308b\u3002\u526f\u984c\u306f\u300c\u984c\u540d\u306e\u306a\u3044\u5c0f\u54c1\u7b2c1\u756a\u306b\u3088\u308b\u5909\u594f\u66f2\u300d\u3067\u3001\u3053\u3053\u3067\u306f\u300c\u30a2\u30f3\u30c0\u30eb\u30fb\u30e9\u30fb\u30cf\u30d0\u30ca\u300d\u3068\u547c\u3070\u308c\u3001\u5e8f\u594f\u304c\u7d9a\u304f\u3002<\/td>\n<\/tr>\n
There then follows (after a short \u2018paseo’) La Ceiba y el Colibr\u00ed, Convento de San Francisco, (second \u2018paseo\u2019), Por La Calle del Obispo, Amanecer en el Morro and finally Toque en la Plaza de Armas, about which Leo Brouwer writes: \u201c 400 years ago African slaves in Cuba celebrated Christmas with a big fiesta (drums, dance, rum\u2026). The playing of percussion instruments is what we call a \u2018toque\u2019. \u201c<\/td>\n\u77ed\u3044\u300c\u30d1\u30bb\u30aa\u300d\u306e\u5f8c\uff09La Ceiba y el Colibr\u00ed\u3001Convento de San Francisco\u3001\uff082\u756a\u76ee\u306e\u300c\u30d1\u30bb\u30aa\u300d\uff09\u3001Por La Calle del Obispo\u3001Amanecer en el Morro\u3001\u305d\u3057\u3066\u6700\u5f8c\u306bToque en la Plaza de Armas\u3068\u7d9a\u304f\u3002\u6253\u697d\u5668\u306e\u6f14\u594f\u306f\u3001\u79c1\u305f\u3061\u304c “toque “\u3068\u547c\u3076\u3082\u306e\u3060\u3002”<\/td>\n<\/tr>\n
When writing When the Birds Return I had no title in mind, however, the third section, when the tremolo returns, reminded me of that feeling when seeing the flock of birds in the distant sky returning from their migration. The guitar has always been at the heart of South American music – this is exemplified in the music of the Paraguayan guitar composer Agust\u00edn Barrios Mangor\u00e9, which I have played so often – and so this Homage to Barrios is my tribute to him.<\/td>\nWhen the Birds Return\u3092\u66f8\u3044\u305f\u3068\u304d\u3001\u30bf\u30a4\u30c8\u30eb\u306f\u8003\u3048\u3066\u3044\u306a\u304b\u3063\u305f\u304c\u3001\u30c8\u30ec\u30e2\u30ed\u304c\u623b\u3063\u3066\u304f\u308b\u7b2c3\u30bb\u30af\u30b7\u30e7\u30f3\u306f\u3001\u9060\u304f\u306e\u7a7a\u3067\u6e21\u308a\u304b\u3089\u5e30\u3063\u3066\u304d\u305f\u9ce5\u306e\u7fa4\u308c\u3092\u898b\u305f\u3068\u304d\u306e\u3042\u306e\u611f\u899a\u3092\u601d\u3044\u51fa\u3055\u305b\u305f\u3002\u30ae\u30bf\u30fc\u306f\u5e38\u306b\u5357\u7c73\u97f3\u697d\u306e\u4e2d\u5fc3\u3067\u3042\u308a\u3001\u305d\u308c\u306f\u30d1\u30e9\u30b0\u30a2\u30a4\u306e\u30ae\u30bf\u30fc\u4f5c\u66f2\u5bb6\u3001\u30a2\u30b0\u30b9\u30c6\u30a3\u30f3\u30fb\u30d0\u30ea\u30aa\u30b9\u30fb\u30de\u30f3\u30b4\u30ec\u306e\u97f3\u697d\u306b\u3088\u304f\u8868\u308c\u3066\u3044\u308b\u3002<\/td>\n<\/tr>\n
Como Llora una Estrella by Antonio Carillo is a very popular Venezuelan song and has been beautifully arranged for guitar by Alirio Diaz. Por ti mi Coraz\u00f3n was published as one of three Mexican popular songs but is an original melody by its composer Manuel Ponce; he wrote Scherzino Mexicano for piano before it became a much loved guitar piece.<\/td>\n\u30a2\u30f3\u30c8\u30cb\u30aa\u30fb\u30ab\u30ea\u30fc\u30b8\u30e7\u306e “Como Llora una Estrella “\u306f\u3001\u30d9\u30cd\u30ba\u30a8\u30e9\u306e\u4eba\u6c17\u66f2\u3067\u3001\u30a2\u30ea\u30ea\u30aa\u30fb\u30c7\u30a3\u30a2\u30b9\u306b\u3088\u3063\u3066\u30ae\u30bf\u30fc\u7528\u306b\u7f8e\u3057\u304f\u7de8\u66f2\u3055\u308c\u3066\u3044\u308b\u3002Por ti mi Coraz\u00f3n\u306f\u3001\u30e1\u30ad\u30b7\u30b3\u306e3\u3064\u306e\u30dd\u30d4\u30e5\u30e9\u30fc\u30fb\u30bd\u30f3\u30b0\u306e\u3046\u3061\u306e1\u66f2\u3068\u3057\u3066\u51fa\u7248\u3055\u308c\u305f\u304c\u3001\u4f5c\u66f2\u8005\u30de\u30cc\u30a8\u30eb\u30fb\u30dd\u30f3\u30bb\u306b\u3088\u308b\u30aa\u30ea\u30b8\u30ca\u30eb\u306e\u30e1\u30ed\u30c7\u30a3\u30fc\u3067\u3042\u308b\u3002<\/td>\n<\/tr>\n
Fernando Sor\u2019s Opus 9 and Joaquin Turina\u2019s Fandangillo are both established guitar repertoire pieces which I think need a closer look: Sor\u2019s own version of the Magic Flute theme has always seemed to me almost unrecognisable, so I have replaced it with the original theme of the slaves\u2019 chorus at the end of the first act from that opera and see the whole piece as more operatic. For Fandangillo I went back to Turina\u2019s original which had many small but important details different to the better known edited version.<\/td>\n\u30d5\u30a7\u30eb\u30ca\u30f3\u30c9\u30fb\u30bd\u30eb\u306e\u4f5c\u54c19\u3068\u30db\u30a2\u30ad\u30f3\u30fb\u30c8\u30a5\u30ea\u30fc\u30ca\u306e\u30d5\u30a1\u30f3\u30c0\u30f3\u30ae\u30fc\u30b8\u30e7\u306f\u3001\u3069\u3061\u3089\u3082\u30ae\u30bf\u30fc\u306e\u30ec\u30d1\u30fc\u30c8\u30ea\u30fc\u3068\u3057\u3066\u78ba\u7acb\u3055\u308c\u305f\u66f2\u3067\u3042\u308a\u3001\u8a73\u3057\u304f\u898b\u3066\u307f\u308b\u5fc5\u8981\u304c\u3042\u308b\u3068\u601d\u3046\uff1a \u30bd\u30eb\u81ea\u8eab\u304c\u4f5c\u66f2\u3057\u305f\u300c\u9b54\u7b1b\u300d\u306e\u4e3b\u984c\u306f\u3001\u79c1\u306b\u306f\u3044\u3064\u3082\u307b\u3068\u3093\u3069\u8a8d\u8b58\u3067\u304d\u306a\u3044\u3088\u3046\u306b\u601d\u3048\u305f\u306e\u3067\u3001\u3053\u306e\u30aa\u30da\u30e9\u306e\u7b2c1\u5e55\u306e\u6700\u5f8c\u306b\u51fa\u3066\u304f\u308b\u5974\u96b7\u305f\u3061\u306e\u5408\u5531\u306e\u539f\u66f2\u306e\u4e3b\u984c\u306b\u7f6e\u304d\u63db\u3048\u3066\u3001\u66f2\u5168\u4f53\u3092\u3088\u308a\u30aa\u30da\u30e9\u7684\u306a\u3082\u306e\u3068\u3057\u3066\u6349\u3048\u3066\u3044\u308b\u3002\u30d5\u30a1\u30f3\u30c0\u30f3\u30b8\u30c3\u30ed\u300f\u306b\u3064\u3044\u3066\u306f\u3001\u30c8\u30a5\u30ea\u30fc\u30ca\u306e\u539f\u5178\u306b\u7acb\u3061\u8fd4\u3063\u305f\u3002\u3053\u306e\u539f\u5178\u306b\u306f\u3001\u3088\u308a\u3088\u304f\u77e5\u3089\u308c\u305f\u7de8\u96c6\u7248\u3068\u306f\u7570\u306a\u308b\u3001\u5c0f\u3055\u3044\u304c\u91cd\u8981\u306a\u7d30\u90e8\u304c\u305f\u304f\u3055\u3093\u3042\u3063\u305f\u3002<\/td>\n<\/tr>\n
Another Time – a bit of nostalgia! I wanted to recapture that moment in America musicals of yesteryear when the song emerges from the dialogue. John Williams<\/td>\n\u30a2\u30ca\u30b6\u30fc\u30fb\u30bf\u30a4\u30e0\u300f\u306f\u3001\u3061\u3087\u3063\u3068\u3057\u305f\u30ce\u30b9\u30bf\u30eb\u30b8\u30fc\u3060\uff01\u5f80\u5e74\u306e\u30a2\u30e1\u30ea\u30ab\u306e\u30df\u30e5\u30fc\u30b8\u30ab\u30eb\u3067\u3001\u53f0\u8a5e\u306e\u4e2d\u304b\u3089\u6b4c\u304c\u51fa\u3066\u304f\u308b\u77ac\u9593\u3092\u518d\u73fe\u3057\u305f\u304b\u3063\u305f\u3002\u30b8\u30e7\u30f3\u30fb\u30a6\u30a3\u30ea\u30a2\u30e0\u30ba<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u300cExplore\u300d\u306b\u306f\u4ee5\u4e0b\u306e\u8a18\u8f09\u304c\u3042\u308b<\/p>\n

Composers<\/strong><\/p>\n

    \n
  • Brouwer, Leo (b.1939)<\/li>\n
  • Carillo, Antonio (1892-1962)<\/li>\n
  • Ponce, Manuel Maria (1882\u20131948)<\/li>\n
  • Sor, Fernando (1778-1839)<\/li>\n
  • Turina y Perez, Joaqu\u00edn (1882\u20131949)<\/li>\n
  • Williams, John Towner (b.1932)<\/li>\n<\/ul>\n

    Works<\/strong><\/p>\n

      \n
    • Carillo, Antonio: Como llora una estrella<\/li>\n
    • Ponce, M: Por Ti Mi Coraz\u00f3n<\/li>\n
    • Ponce, M: Scherzino Mexicano<\/li>\n
    • Turina: Fandanguillo, Op. 36<\/li>\n
    • Williams, John: When The Birds Return<\/li>\n<\/ul>\n

      Genre<\/strong><\/p>\n

        \n
      • Guitar Solos<\/li>\n<\/ul>\n

        Label<\/strong><\/p>\n

          \n
        • JCW Recordings<\/li>\n<\/ul>\n

          \u300cContents \uff08\u53ce\u9332\u66f2\uff09\u300d\u306f<\/p>\n

            \n
          1. Brouwer, L: La Ciudad de las Columnas\u300014:08
            \nJohn Williams<\/li>\n
          2. Williams, John: When The Birds Return\u30003:45
            \nJohn Williams<\/li>\n
          3. Williams, John: Homage to Barrios\u30006:00
            \nJohn Williams<\/li>\n
          4. Carillo, Antonio: Como llora una estrella\u30003:30
            \nJohn Williams<\/li>\n
          5. Ponce, M: Por Ti Mi Coraz\u00f3n\u30002:41
            \nJohn Williams<\/li>\n
          6. Ponce, M: Scherzino Mexicano\u30002:03
            \nJohn Williams<\/li>\n
          7. Sor: Introduction and Variations on a Theme of Mozart op9\u30008:38
            \nJohn Williams<\/li>\n
          8. Turina: Fandanguillo, Op. 36\u30004:42
            \nJohn Williams<\/li>\n
          9. Williams, John: Another Time\u30003:27
            \nJohn Williams<\/li>\n<\/ol>\n

            \u3082\u3046\u697d\u3057\u307f\u3059\u304e\u308b\u3093\u3067\u3059\u3051\u3069\uff5e
            \n11\u670824\u65e5\u767a\u58f2\u3068\u3044\u3046\u3053\u3068\u306f\u3001\u30af\u30ea\u30b9\u30de\u30b9\u30d7\u30ec\u30bc\u30f3\u30c8\u307f\u305f\u3044\u306a\u611f\u3058\u306b\u306a\u308b\u306a\u3041<\/p>\n

            \u3068\u306b\u304b\u304f\u5f85\u3061\u9060\u3057\u3044<\/span><\/p>\n

            \u65e9\u304f\u9001\u3063\u3066\u304f\u3060\u3055\u3041\uff5e\u3044<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

            \u30b8\u30e7\u30f3\u69d8\u306e\u30b5\u30a4\u30c8\u3092\u306a\u304c\u3081\u3066\u3044\u305f\u3089\u30019\u6708\u306e25\u65e5\u306b\u3053\u3093\u306a\u8a18\u8f09\u304c\u3042\u3063\u305f Update! CD Sales The new CD, Paseo, will be released on October 25th and be […]<\/p>\n","protected":false},"author":5,"featured_media":20642,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_sitemap_exclude":false,"_sitemap_priority":"","_sitemap_frequency":"","fifu_image_url":"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/Paseo.jpg","fifu_image_alt":"","footnotes":""},"categories":[6],"tags":[4116,4113,4114,253,4115],"class_list":["post-20634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diary","tag-cd","tag-paseo","tag-prestmusic","tag-253","tag-4115"],"_links":{"self":[{"href":"https:\/\/antonsan.net\/index.php?rest_route=\/wp\/v2\/posts\/20634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antonsan.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antonsan.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antonsan.net\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/antonsan.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20634"}],"version-history":[{"count":0,"href":"https:\/\/antonsan.net\/index.php?rest_route=\/wp\/v2\/posts\/20634\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antonsan.net\/index.php?rest_route=\/wp\/v2\/media\/20642"}],"wp:attachment":[{"href":"https:\/\/antonsan.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antonsan.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antonsan.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}