{"id":21639,"date":"2023-11-16T16:23:36","date_gmt":"2023-11-16T07:23:36","guid":{"rendered":"https:\/\/antonsan.net\/?p=21639"},"modified":"2023-11-16T18:09:43","modified_gmt":"2023-11-16T09:09:43","slug":"%e5%8d%88%e5%be%8c%e6%95%a3%e6%ad%a9%e3%81%8b%e3%82%89%e5%b8%b0%e3%81%a3%e3%81%a6%e3%81%8d%e3%81%9f%e3%82%89%e3%83%97%e3%83%ac%e3%82%bc%e3%83%b3%e3%83%88%e3%81%8c%ef%bc%81%ef%bc%81","status":"publish","type":"post","link":"https:\/\/antonsan.net\/?p=21639","title":{"rendered":"\u5348\u5f8c\u6563\u6b69\u304b\u3089\u5e30\u3063\u3066\u304d\u305f\u3089\u30d7\u30ec\u30bc\u30f3\u30c8\u304c\uff01\uff01"},"content":{"rendered":"<p>\u5348\u5f8c\u6563\u6b69\u304b\u3089\u5e30\u5b85\u3059\u308b\u3068\u3001\u90f5\u4fbf\u53d7\u3051\u306b\u8336\u8272\u3044\u5c01\u7b52\u304c\u2026<\/p>\n<p>\u697d\u3057\u307f\u306b\u3057\u3066\u3044\u305f\u30b8\u30e7\u30f3\u69d8\u306eCD\u300cPASEO\u300d\u304c\u5230\u7740\u3057\u3066\u3044\u307e\u3057\u305f<\/p>\n<p>\u3061\u3087\u3063\u3068\u9045\u3044\u3067\u3059\u304c\u3001\u8a95\u751f\u65e5\u30d7\u30ec\u30bc\u30f3\u30c8\u3082\u3089\u3063\u305f\u611f\u3058\u3067\u30e1\u30c1\u30e3\u30af\u30c1\u30e3\u5b09\u3057\u3044\u3067\u3059\uff01\uff01<\/p>\n<p><a href=\"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-05.jpg\" rel=\"lightbox[21639]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-21645\" src=\"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-05-640x196.jpg\" alt=\"\u30b8\u30e7\u30f3\u69d8\u306eCD\u300cPASEO\u300d01\" width=\"640\" height=\"196\" srcset=\"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-05-640x196.jpg 640w, https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-05-320x98.jpg 320w, https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-05-768x235.jpg 768w, https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-05.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-01.jpg\" rel=\"lightbox[21639]\"><img decoding=\"async\" class=\"pic2\" src=\"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-01-640x285.jpg\" alt=\"\u30b8\u30e7\u30f3\u69d8\u306eCD\u300cPASEO\u300d\" \/><\/a><a href=\"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-02.jpg\" rel=\"lightbox[21639]\"><img decoding=\"async\" class=\"pic2\" src=\"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-02-640x287.jpg\" alt=\"\u30b8\u30e7\u30f3\u69d8\u306eCD\u300cPASEO\u300d\" \/><\/a><\/p>\n<p>\u2193\u3053\u306e\u8336\u8272\u3044\u5c01\u7b52\u306b\u5165\u3063\u3066\u30b0\u30ec\u30fc\u30c8\u30d6\u30ea\u30c6\u30f3\u304b\u3089\u3084\u3063\u3066\u6765\u305f\u306e\u3055\u3041\uff5e\u266a<br \/>\n<a href=\"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-03.jpg\" rel=\"lightbox[21639]\"><img decoding=\"async\" class=\"pic2\" src=\"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-03.jpg\" alt=\"\u30b8\u30e7\u30f3\u69d8\u306eCD\u300cPASEO\u300d\" \/><\/a><a href=\"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-04.jpg\" rel=\"lightbox[21639]\"><img decoding=\"async\" class=\"pic2\" src=\"https:\/\/antonsan.net\/wp\/wp-content\/uploads\/PASEO-04.jpg\" alt=\"\u30b8\u30e7\u30f3\u69d8\u306eCD\u300cPASEO\u300d01\" \/><\/a><\/p>\n<p>\u3061\u306a\u307f\u306bCD\u306e\u5185\u5bb9\u306a\u3069\u306b\u95a2\u3057\u3066\u306f<a href=\"https:\/\/antonsan.net\/?p=20634\">\u3053\u3061\u3089\u306e\u8a18\u4e8b<\/a>\u3067\u306f<a href=\"https:\/\/www.prestomusic.com\/classical\/products\/9542511--paseo\">prestmusic<\/a>\u3067\u66f8\u304b\u308c\u3066\u3044\u308b\u6587\u7ae0\u3092\u8a18\u8f09\u3057\u307e\u3057\u305f\u304c\u3001CD\u4ed8\u5c5e\u306e\u30e9\u30a4\u30ca\u30fc\u306f\u4ee5\u4e0b\u306e\u3088\u3046\u306a\u611f\u3058\u3067\u3059<br \/>\n\u82f1\u8a9e\u308f\u304b\u3089\u306a\u3044\u3093\u3067<a href=\"https:\/\/www.deepl.com\/translator\">DeepL\u3055\u3093<\/a>\u3067\u7ffb\u8a33\u3057\u3066\u3082\u3089\u3044\u307e\u3057\u305f<\/p>\n<blockquote><p>PASEO<\/p>\n<p>La Ciudad de las Columnas (2004) by the Cuban composer, guitarist and conductor Leo Brouwer, is an evocation of various scenes of Havana, his home. It is subtitled Variations on Piece without title No. 1 which is called here &#8220;Andar la Habana&#8221; and is proceeded by the introduction. There then follows (after a short paseo&#8217;) La Ceiba y el Colibri, Convento de San Francisco, (second paseo), Por La Calle del Obispo, Amanecer en el Morro and finally Toque en la Plaza de Armas, about which Leo Brouwer writes: &#8220;400 years ago African slaves in Cuba celebrated Christmas with a big fiesta (drums, dance, rum&#8230;). The playing of percussion instruments is what we call a &#8216;toque!&#8221;<br \/>\n\u25cf\u7ffb\u8a33<br \/>\n\u30ad\u30e5\u30fc\u30d0\u306e\u4f5c\u66f2\u5bb6\u3001\u30ae\u30bf\u30ea\u30b9\u30c8\u3001\u6307\u63ee\u8005\u3067\u3042\u308b\u30ec\u30aa\u30fb\u30d6\u30ed\u30fc\u30a6\u30a7\u30eb\u306b\u3088\u308b\u300cLa Ciudad de las Columnas\u300d\uff082004\u5e74\uff09\u306f\u3001\u5f7c\u306e\u6545\u90f7\u3067\u3042\u308b\u30cf\u30d0\u30ca\u306e\u69d8\u3005\u306a\u60c5\u666f\u3092\u60f3\u8d77\u3055\u305b\u308b\u4f5c\u54c1\u3067\u3042\u308b\u3002\u526f\u984c\u306f\u300c\u984c\u540d\u306e\u306a\u3044\u5c0f\u54c1\u306b\u3088\u308b\u5909\u594f\u66f2\u7b2c1\u756a\u300d\u3067\u3001\u3053\u3053\u3067\u306f\u300c\u30a2\u30f3\u30c0\u30eb\u30fb\u30e9\u30fb\u30cf\u30d0\u30ca\u300d\u3068\u547c\u3070\u308c\u3001\u5e8f\u594f\u304c\u7d9a\u304f\u3002\u77ed\u3044\u30d1\u30bb\u30aa\u306e\u5f8c\uff09La Ceiba y el Colibri\u3001Convento de San Francisco\u3001\uff082\u756a\u76ee\u306e\u30d1\u30bb\u30aa\uff09Por La Calle del Obispo\u3001Amanecer en el Morro\u3001\u305d\u3057\u3066\u6700\u5f8c\u306bToque en la Plaza de Armas\u3068\u7d9a\u304f\u3002\u6253\u697d\u5668\u306e\u6f14\u594f\u306f &#8220;\u30c8\u30b1\uff01&#8221;\u3068\u547c\u3070\u308c\u308b\u3082\u306e\u3060\u3002<\/p>\n<p>When writing When the Birds Return I had no title in mind, however, the third section, when the tremolo returns, reminded me of that feeling when seeing the flock of birds in the distant sky returning from their migration.<br \/>\n\u25cf\u7ffb\u8a33<br \/>\nWhen the Birds Return\uff08\u9ce5\u304c\u5e30\u3063\u3066\u304f\u308b\u3068\u304d\uff09\u300d\u3092\u66f8\u3044\u305f\u3068\u304d\u3001\u30bf\u30a4\u30c8\u30eb\u306f\u8003\u3048\u3066\u3044\u306a\u304b\u3063\u305f\u304c\u3001\u30c8\u30ec\u30e2\u30ed\u304c\u623b\u3063\u3066\u304f\u308b\u7b2c3\u30bb\u30af\u30b7\u30e7\u30f3\u306f\u3001\u9060\u304f\u306e\u7a7a\u3067\u6e21\u308a\u304b\u3089\u5e30\u3063\u3066\u304f\u308b\u9ce5\u306e\u7fa4\u308c\u3092\u898b\u305f\u3068\u304d\u306e\u3042\u306e\u611f\u899a\u3092\u601d\u3044\u51fa\u3055\u305b\u305f\u3002<\/p>\n<p>The guitar has always been at the heart of South American music-this is exemplified in the music of the Paraguayan guitar composer Agustin Barrios Mangor\u00e9, which I have played so often- and so this Homage to Barrios is my tribute to him. Como Llora una Estrella by Antonio Carillo is a very popular Venezuelan song and has been beautifully arranged for guitar by Alirio Diaz<br \/>\n\u25cf\u7ffb\u8a33<br \/>\n\u30ae\u30bf\u30fc\u306f\u5e38\u306b\u5357\u7c73\u97f3\u697d\u306e\u4e2d\u5fc3\u3067\u3042\u308a\u3001\u305d\u308c\u306f\u30d1\u30e9\u30b0\u30a2\u30a4\u306e\u30ae\u30bf\u30fc\u4f5c\u66f2\u5bb6\u3001\u30a2\u30b0\u30b9\u30c6\u30a3\u30f3\u30fb\u30d0\u30ea\u30aa\u30b9\u30fb\u30de\u30f3\u30b4\u30ec\u306e\u97f3\u697d\u306b\u3088\u304f\u73fe\u308c\u3066\u3044\u308b\u3002\u30a2\u30f3\u30c8\u30cb\u30aa\u30fb\u30ab\u30ea\u30fc\u30b8\u30e7\u306e\u300cComo Llora una Estrella\u300d\u306f\u3001\u30d9\u30cd\u30ba\u30a8\u30e9\u306e\u3068\u3066\u3082\u30dd\u30d4\u30e5\u30e9\u30fc\u306a\u66f2\u3067\u3001\u30a2\u30ea\u30ea\u30aa\u30fb\u30c7\u30a3\u30a2\u30b9\u306b\u3088\u3063\u3066\u30ae\u30bf\u30fc\u7528\u306b\u7f8e\u3057\u304f\u7de8\u66f2\u3055\u308c\u3066\u3044\u308b\u3002<\/p>\n<p>Por ti mi Coraz\u00f3n was published as one of three Mexican popular songs but is an original melody by its composer Manuel Ponce; he wrote Scherzino Mexicano for piano before it became a much loved guitar piece.<br \/>\n\u25cf\u7ffb\u8a33<br \/>\nPor ti mi Coraz\u00f3n\u306f\u3001\u30e1\u30ad\u30b7\u30b3\u306e3\u3064\u306e\u30dd\u30d4\u30e5\u30e9\u30fc\u30fb\u30bd\u30f3\u30b0\u306e\u3046\u3061\u306e1\u66f2\u3068\u3057\u3066\u51fa\u7248\u3055\u308c\u305f\u304c\u3001\u4f5c\u66f2\u8005\u30de\u30cc\u30a8\u30eb\u30fb\u30dd\u30f3\u30bb\u306e\u30aa\u30ea\u30b8\u30ca\u30eb\u30fb\u30e1\u30ed\u30c7\u30a3\u30fc\u3067\u3042\u308b\u3002<br \/>\n\u5f7c\u306f\u3001\u3053\u306e\u66f2\u304c\u30ae\u30bf\u30fc\u66f2\u3068\u3057\u3066\u611b\u3055\u308c\u308b\u3088\u3046\u306b\u306a\u308b\u524d\u306b\u3001\u30d4\u30a2\u30ce\u306e\u305f\u3081\u306bScherzino Mexicano\u3092\u66f8\u3044\u305f\u3002<\/p>\n<p>Fernando Sor&#8217;s Opus 9 and Joaquin Turina&#8217;s Fandanguillo are both established guitar repertoire pieces which I think need a closer look: Sor&#8217;s own version of the Magic Flute theme has always seemed to me almost unrecognisable, so I have: replaced it with the original theme of the slaves&#8217; chorus at the end of the first act from that opera and see the whole piece as more operatic. For Fandanguillo I went back to Turina&#8217;s original which had many small but important details different to the better known edited version.<br \/>\n\u25cf\u7ffb\u8a33<br \/>\n\u30d5\u30a7\u30eb\u30ca\u30f3\u30c9\u30fb\u30bd\u30eb\u306e\u4f5c\u54c19\u3068\u30db\u30a2\u30ad\u30f3\u30fb\u30c8\u30a5\u30ea\u30fc\u30ca\u306e\u30d5\u30a1\u30f3\u30c0\u30f3\u30ae\u30fc\u30b8\u30e7\u306f\u3001\u3069\u3061\u3089\u3082\u30ae\u30bf\u30fc\u306e\u30ec\u30d1\u30fc\u30c8\u30ea\u30fc\u3068\u3057\u3066\u78ba\u7acb\u3055\u308c\u305f\u4f5c\u54c1\u3067\u3042\u308a\u3001\u8a73\u3057\u304f\u898b\u3066\u307f\u308b\u5fc5\u8981\u304c\u3042\u308b\u3068\u601d\u3046\uff1a \u30bd\u30eb\u81ea\u8eab\u304c\u4f5c\u66f2\u3057\u305f\u300c\u9b54\u7b1b\u300d\u306e\u4e3b\u984c\u306f\u3001\u79c1\u306b\u306f\u3044\u3064\u3082\u307b\u3068\u3093\u3069\u8a8d\u8b58\u3067\u304d\u306a\u3044\u3088\u3046\u306b\u601d\u3048\u305f\u306e\u3067\u3001\u3053\u306e\u30aa\u30da\u30e9\u306e\u7b2c1\u5e55\u306e\u6700\u5f8c\u306b\u51fa\u3066\u304f\u308b\u5974\u96b7\u305f\u3061\u306e\u5408\u5531\u306e\u539f\u66f2\u306e\u4e3b\u984c\u306b\u7f6e\u304d\u63db\u3048\u3066\u3001\u66f2\u5168\u4f53\u3092\u3088\u308a\u30aa\u30da\u30e9\u7684\u306a\u3082\u306e\u3068\u3057\u3066\u6349\u3048\u3066\u3044\u308b\u3002\u30d5\u30a1\u30f3\u30c0\u30f3\u30ae\u30fc\u30b8\u30e7\u300d\u306b\u3064\u3044\u3066\u306f\u3001\u30c8\u30a5\u30ea\u30fc\u30ca\u306e\u539f\u5178\u306b\u7acb\u3061\u8fd4\u3063\u305f\u304c\u3001\u3088\u304f\u77e5\u3089\u308c\u305f\u7de8\u96c6\u7248\u3068\u306f\u7570\u306a\u308b\u3001\u5c0f\u3055\u3044\u304c\u91cd\u8981\u306a\u7d30\u90e8\u304c\u305f\u304f\u3055\u3093\u3042\u3063\u305f\u3002<\/p>\n<p>Another Time &#8211; a bit of nostalgia! I wanted to recapture that moment in American musicals of yesteryear when the song emerges from the dialogue.<br \/>\nJohn Williams London 2023<br \/>\n\u25cf\u7ffb\u8a33<br \/>\n{\u30a2\u30ca\u30b6\u30fc\u30fb\u30bf\u30a4\u30e0}-\u3061\u3087\u3063\u3068\u3057\u305f\u30ce\u30b9\u30bf\u30eb\u30b8\u30fc\uff01\u5f80\u5e74\u306e\u30a2\u30e1\u30ea\u30ab\u30f3\u30fb\u30df\u30e5\u30fc\u30b8\u30ab\u30eb\u3067\u3001\u53f0\u8a5e\u306e\u4e2d\u304b\u3089\u6b4c\u304c\u51fa\u3066\u304f\u308b\u77ac\u9593\u3092\u518d\u73fe\u3057\u305f\u304b\u3063\u305f\u3002<br \/>\n\u30b8\u30e7\u30f3\u30fb\u30a6\u30a3\u30ea\u30a2\u30e0\u30ba \u30ed\u30f3\u30c9\u30f3 2023<\/p><\/blockquote>\n<p>\u30e9\u30a4\u30ca\u30fc\u63b2\u8f09\u306e\u53ce\u9332\u66f2\u3082\u4e00\u5fdc\u8a18\u8f09\u3057\u3066\u304a\u304d\u307e\u3059\u306d<\/p>\n<ol style=\"list-style-type: decimal-leading-zero;\">\n<li>La Ciudad de las Columnas 14:08<br \/>\n(Leo Brouwer 1939-)<\/li>\n<li>When the Birds Return 3:45<br \/>\n(John Williams 1941-)<\/li>\n<li>Homage to Barrios 6:00<br \/>\n(John Williams 1941-)<\/li>\n<li>Como llora una Estrella 3:30<br \/>\n(Antonio Carillo 1892-1962)<\/li>\n<li>Por ti mi Coraz\u00f3n 2:41<br \/>\n(Manuel Ponce 1882-1948)<\/li>\n<li>Scherzino Mexicano 2:03<br \/>\n(Manuel Ponce 1882-1948)<\/li>\n<li>Introduction and Variations on a Theme of Mozart op.9 8:38<br \/>\n(Fernando Sor 1778-1839)<\/li>\n<li>Fandanguillo 4:42<br \/>\n(Joaquin Turina 1882-1949)<\/li>\n<li>Another Time 3:27<br \/>\n(John Williams 1941-)<\/li>\n<\/ol>\n<p>\u30b8\u30e7\u30f3\u306eCD\u8074\u304f\u3068\u3001\u300c\u7df4\u7fd2\u3059\u308b\u305e\uff5e\uff01\uff01\u300d\u3063\u3066\u6c17\u306b\u306a\u308b\u3093\u3067\u3059\u3088\u306d<br \/>\n\u30b8\u30e7\u30f3\u69d8\u3082\u300c\u305d\u308c\u304c1\u756a\u5b09\u3057\u3044\u300d\u3063\u3066\u4f55\u304b\u306e\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\u3067\u8a00\u3063\u3066\u307e\u3057\u305f<\/p>\n<p>\u3061\u306a\u307f\u306b\u5348\u5f8c\u6563\u6b69\u306f\u5c71\u5074\u3078\u884c\u304d\u307e\u3057\u305f<br \/>\n\u4eca\u6669\u304b\u3089\u96e8\u304c\u964d\u308b\u305b\u3044\u306a\u306e\u304b\u3001\u3059\u3053\u3057\u6e7f\u6c17\u3092\u611f\u3058\u307e\u3057\u305f<\/p>\n<p><a href=\"https:\/\/lh3.googleusercontent.com\/pw\/ADCreHf8itPtpvHf59qlTuETSm4P6SEdxDaFguV_-iqp3K1zxZyAkqrJ2l6SjlCizUmKDlmIz9_moLi0Pm98v1DEvIok3-zeg4tXcS2mc31KGv0ZM8R8sw-h=s0?.jpg\" rel=\"lightbox[21639]\"><img decoding=\"async\" src=\"https:\/\/lh3.googleusercontent.com\/pw\/ADCreHf8itPtpvHf59qlTuETSm4P6SEdxDaFguV_-iqp3K1zxZyAkqrJ2l6SjlCizUmKDlmIz9_moLi0Pm98v1DEvIok3-zeg4tXcS2mc31KGv0ZM8R8sw-h=s640?.jpg\" alt=\"\" \/><\/a><\/p>\n<p><a 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